Monday, May 19, 2014

Thumb-Nailed Ideas

Howdy everyone!

So after a long work weekend I finally had some time to thumbnail out my ideas for the dialog clip I chose last week. They are still pretty rough and are more there to show what I had planned for composition/staging than the actual acting of the characters.

I wasn't quite sure how best to present the ideas in this format, so I have selected three ideas to explore, noting the emotion change I am going for and the subtext behind the lines of dialog for each idea. I hope this comes across clearly.

The link below will allow you to download the clip in case you need a refresher on the delivery.  
https://drive.google.com/file/d/0B9IKBUTzMksMcXAwRVdtWjRIbXc/edit?usp=sharing

Idea 1: Psyche Patient
Emotion Change: Bitter/Hopeless -> Scared
This idea was developed based on the discussion we had in class. It was suggested that having the character constrained or confined, or potentially trapped in a bad situation, would be compelling enough to make the last "me" of the dialog really sell. 
Originally we talked about her starting from a defeated emotional level and ending on a defiant one, but for this scenario I wanted to try something a little different. I wanted this character to have been recently admitted into a psyche ward because she was a danger to herself and those around her. She would start the scene off bitter and defeated, potentially frustrated that no one is listening to her or able to help her. As she delivers the line she transitions into a panicked fear of what she is capable of doing and is trying to warn the doctor that is with her.

The subtext of the shot would be something like:

Line: "In this whole wide wicked world..."
Subtext: There is no hope for me anymore, I am part of what makes this world a bad place.  

Line: "The only thing you have to be afraid of..."
Subtext: You shouldn't be in here.  

Line: "Is me!"
Subtext: I'm dangerous! I can't control it!

For the Malcolm mod, I wanted to create a disheveled appearance. She would be in hospital scrubs, shackled to the table with handcuffs, and have runny mascara and wild hair. 

Here is a rough representation of what the layout might look like. I could probably zoom in on her a bit. (My drawing skills are not the best).



Idea 2: House Wife
Emotion Change: Resigned/Defeated -> Happy/Relieved
This idea was actually inspired by Victor's "housewife doing dishes" idea. The moment I am trying to capture is an abused housewife finally taking matters into her own hands, and the relief and/or hope that coming to that decision brings.
The start of the shot would have her looking off screen and scrubbing an unseen dish. As she delivers the last "me" she removes the knife from the washcloth and smiles knowingly.

The subtext of the shot would be something like:

Line: "In this whole wide wicked world..."
Subtext: I've tried everything else and only one option is left. No one is going to help me. 

Line: "The only thing you have to be afraid of..."
Subtext: You've pushed me to far. You deserve this. 

Line: "Is me!"
Subtext: I'll be free of you soon. 

For the Malcolm mod, I wanted to create a typical housewife look. The only thing that would take away from that would be a healing black eye that will hopefully queue the audience into the context. 

Here is a rough representation of what the layout might look like.





Idea 3: Politician
Emotion Change: Fake/Disgusted -> Predatory Glee
This could be a really difficult shot to pull off, but I think it could work really well. I wanted to capture the transition a politician would make when the gloves came off and the facade falls away. I wanted to play with a fake smile transitioning into a viscous one. This character would have been constantly second guessed and underestimated, and this would be the grand reveal that she was in control the entire time. It would be a threat, but one she could completely back up. 

The subtext of the shot would be something like:

Line: "In this whole wide wicked world..."
Subtext: I am tired of dealing with these clowns.

Line: "The only thing you have to be afraid of..."
Subtext: You have no idea who you are messing with. You've made a grave mistake.  

Line: "Is me!"
Subtext: Your over. I win.  

For the Malcolm mod, I wanted to create a very refined politician. She will have big hair and a bit too much makeup, with a few flag pins for good measure. I am thinking of making her either president or some sort of high official so I wanted her to be sitting in a place of power (her desk), and the American flag behind her as a sign of her authority. Should be fun!

Here is a rough representation of what the layout might look like.

I know this is a ton of writing, but I hope my ideas are coming across. If you guys have any suggestions about where I should take this, I am all ears because I could see myself doing any of them haha.

Thanks in advance for your help!

Brandon

7 comments:

  1. These are cool!! I'm a HUGE fan of villains, I can't wait to see what you do with it.
    1.I feel like I've seen a psych patient/crazy person scenario on a few reels, but maybe you can pull it off in a different fresh way! Who's the crazy talking to? A family member, a friend, a doctor?
    2. I like the idea of a housewife! I know you drew the thumbnails to demonstrate general staging not posing but I think it would be stronger to change what that husband is doing. Maybe he's passed out on his chair with empty beer cans around(his history is as an abusive alcoholic)? Maybe instead of dishes and a knife she's just finished making him dinner and pushes a box of rat poison out of sight(but we the audience can see it)? Maybe he's in a bathtub and there's a small radio or tv on the side of the tub and she's close enough to kick it in? These might be terrible ideas but I think what I'm generally getting at is he looks somewhat innocent sitting at a table. A black eye helps the context, but it doesn't point directly at him, you know?
    3. I really love House of Cards and think the politician thing could work but setting up a context for who she's talking to and why she's saying this is difficult. Maybe figuring out who she's talking to first will help inform the other choices? I'm guessing she's going after someone in a higher position of power than she is in, if so maybe she's blackmailing him?
    I hope this helps!!!

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  2. Oops, I just saw that first scenario said doctor! Sorry, ignore that question!

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  3. Thanks Elissa!

    All good things to think about.

    I really like the idea of changing the husband to being passed out in the back. I think that would read much more clearly.

    And yeah, the politician scenario should be fun as well. I'll see what I can do to amp up the context a bit!

    Thanks for the input, it's much appreciated.

    Now I just gotta see which one I choose, haha.

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  4. Cool!! Yeah I think him looking like a jerk helps us empathize with her a little!

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  5. Decided to go with the housewife idea! Thanks again for the feedback.

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  6. Hi Brandon, I think the housewife scenario is a good choice. A few thoughts about this:
    I would consider playing it a bit more subtle, rather than melodramatic. I think the black eye may be over the top, and I don't think she would have any reason to smile at the end (unless she's gone insane). I think it would be stronger and more believable to play that last beat as grim realization or determination for what comes next. Also, try to get a bit more specific with the subtext; it doesn't have to be additional dialog, it could be more of just the attitude about what she is saying or doing. For instance:

    Line: "In this whole wide wicked world..."
    Subtext: Disgusted - "I've had it with people who treat me like crap."

    Line: "The only thing you have to be afraid of..."
    Subtext: (staring at knife as she finishes drying it) sarcastic, as if she's repeating something he said to her. "I'll show you who's scary".

    Line: "Is me!"
    Subtext: Visualizing the act of violence - a moment of realization.

    Hope this makes sense!

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  7. It does! Thank you for the feedback. :)

    I love the sarcastic subtext idea. I'll have to see if I can get the acting correct. And I agree about the smile.

    I'll try and get as much as I can done by tomorrow!

    Thanks again.

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